YouTube changes its audio guidelines for streaming in 2025

What musicians and producers need to know for the best sound quality

Why this topic is important

YouTube is one of the largest streaming platforms in the world – not only for videos, but also for music. Millions of tracks are uploaded and consumed daily. However, many creators, musicians, and labels are unaware that YouTube has very specific technical requirements an Audio and video formats to ensure optimal playback quality.
With the current Adjustments to the official upload guidelines YouTube sets new standards that must be observed – especially for all those who want to create professional Mastering-Results for streaming services want to achieve.

The most important innovations at a glance

YouTube has, among other things:

  • The recommendation for 48 kHz / 24 bit as an audio standard for music videos and Content ID uploads.

  • The Use of lossless formats such as FLAC or PCM recommended to avoid loss of quality.

  • The Eclipsa Audio Format presented, which can reach up to 18 audio channels for immersive experiences unterstützt.

  • Detailed Video upload specifications for H.264 and MPEG-2.

  • Further recommended formats and bitrates for content managers.

 

Do you want to be sure that your mix works on all streaming platforms?

🎧 YouTube's new audio guidelines in detail

Preferred audio formats for best quality

YouTube clearly recommends using lossless formatsto ensure that the uploaded music is output in the highest possible quality even after internal transcoding.
Recommended:

  • FLAC (Free Lossless Audio Codec)

  • Linear PCM (Pulse Code Modulation)

  • PCM in Eclipsa Audio format for multi-channel audio

These formats guarantee a lossless transmission of audio data, which is especially important for high-quality material such as mastered music is crucial.

Technical specifications:

  • Sampling rate: Recommended 48 kHz, permissible up to 96 kHz

  • Bit depth: 24 bit recommended, 16 bit acceptable

  • Channels: Stereo (2 channels) or up to 18 channels with Eclipsa Audio

Compressed formats (only conditionally recommended)

Although YouTube also accepts compressed formats, these are clearly inferior in quality:

  • AAC-LC

  • opus

  • Eclipsa Audio (compressed)

Technical specifications:

  • Sampling rate: 48 kHz

  • Bit rate:

    • Stereo: At least 320 kbps (256 kbps acceptable)

    • Eclipsa Audio: 128 kbps per channel

  • Channels: Stereo or up to 18 channels

YouTube itself advises against compressed formats upload, as recompressing will result in further Quality losses arise.

🎥 YouTube's video specifications in detail

Option 1: H.264 codec (recommended for most users)

  • container: .mp4 or .mov

  • Door type: High Profile

  • Frame rates: 23.98, 24, 25, 29.97, 30 fps (original, no resampling)

  • Bitrates:

    • SD (<720p): 15 Mbps

    • HD 720p: 50 Mbps

    • HD 1080p: 60 Mbps

  • Resolutions:

    • 4:3: e.g. 720×480, 1440×1080

    • 16:9: e.g. 1280×720, 1920×1080

  • Color subsampling: Preferably 4:2:2, alternatively 4:2:0

  • GOP structure: IBBP (M=3), max. half frame rate

  • Moov Atom: Must be at the beginning of the file (important for streaming compatibility)

Option 2: MPEG-2 Transport Stream (for special applications)

  • container: .mpg, .mpeg or .ts

  • Door type: SD: Main@Main, HD: 422@High

  • Frame rates and resolutions: As with H.264

  • Bitrates:

    • SD: 50 Mbps

    • HD: 80 Mbps

 

📝 Additional requirements for audio & video

  • Minimum length: 33 seconds (no silence or still images)

  • Aspect ratio: Keep original – do not add artificial black borders

  • Scan type: Progressive (no interlaced)

  • Pillarbox or letterbox formats: Only permitted if the content originally has this format

  • No edit lists or editing tracks
    (e.g. keyframes must be set correctly, no merged frames)

👉 View official guidelines on YouTube

🎵 Best Practices for Mastering for Streaming Services

If you publish your music on YouTube, Spotify, Apple Music or other platforms, you must consider the following points when Mastering for streaming services note:

  1. Export your masters in 48 kHz / 24 bit
    This ensures that your song is processed optimally without additional conversion.

  2. Use lossless formats such as FLAC or WAV/PCM
    Avoid MP3 or AAC when it comes to the final master.

  3. Maintain a loudness of approximately -14 LUFS
    YouTube and other platforms normalize volume. Mastering that's too loud or too quiet will result in unwanted adjustments.

  4. Prepare Eclipsa Audioif you want to deliver immersive multi-channel experiences (e.g. for virtual reality or surround formats).

Already at Online mixing services You should pay attention to the right preparation so that mastering for streaming services can get the best out of your track.

🌐 Advantages of professional online mastering

professional Online mastering offers you:

  • Platform-optimized mastering for YouTube, Spotify & Co.

  • Loudness adjustment according to current standards (-14 LUFS)

  • Technically correct export formats (48 kHz / 24 bit FLAC or WAV)

  • Fast processing from anywhere

  • Expert advice by experienced sound engineers

👉 Now Online mastering book and optimize your release

🚀How to make your music sound perfect on YouTube

With the updated specifications, YouTube sets clear standards for audio and video quality. Anyone who wants to stream their music in want to present studio quality, cannot avoid these requirements. Regardless of whether you are mastering yourself or Online mastering service uses – make sure your tracks:

  • be exported in 48 kHz / 24 bit,

  • be uploaded losslessly,

  • are optimally tailored to the platform requirements.

How to ensure that your music remains available even after YouTube transcoding sounds professional and high-quality.

👉 Request online mastering for streaming services now

You want to know if your mix is ​​already good enough for mastering?

Why you should rely on real professionals 🎯

Online mastering tutorials will teach you the basics—but they're no substitute for experienced ears. A professional mastering engineer:

  • Works in an acoustically perfected environment

  • Uses high-quality analog/digital technology

  • Has a musical understanding beyond genre boundaries

  • Delivers consistent results at the highest level

  • Listen with purpose, not out of habit

Mastering is more than just “making it louder” – it is the final creative link between production and release. It requires not only a trained ear but also a high level of technical understanding of the processes that already take place in the mixing Only those who can understand exactly how frequencies, dynamics, stereo imaging, and transients interact in the mix, can intervene in the mastering process in a targeted manner without disrupting the balance. So, trust people who have learned not only to listen, but also to finalize music emotionally and technically at the highest level – through knowledge, experience, and a deep understanding of the entire production chain.

FAQ: Questions about the YouTube Audio Policy 2025

YouTube recommends using lossless formats such as FLAC, Linear PCM or PCM in Eclipsa Audio format, as they cause less loss of quality during transcoding. Compressed formats such as AAC or Opus are supported, but are of inferior quality.

The sampling rate of 48 kHz This corresponds to the standard for video production and is the recommended minimum for audio uploads according to YouTube. A higher rate such as 96 kHz is also permitted, but is not explicitly preferred.

Eclipse Audio is a new immersive audio format that supports up to 18 audio channels It was developed by Google in cooperation with Samsung to enable future-proof surround experiences on YouTube – similar to Dolby Atmos.

Preference is given to .mp4 (H.264) and .mpeg/.ts (MPEG-2)It's important that videos are progressively encoded, the frame rate is maintained, and the "moov atom" is placed at the beginning of the file. The bitrates must also match the resolution (e.g., 60 Mbps at 1080p).

Common reasons are:

  • Interlaced videos without conversion

  • incorrect or mixed frame rates

  • Edit lists or metadata that YouTube cannot interpret

  • missing or incorrect structure in the container (e.g. moov atom at the end)

Yes. Videos managed through the Content ID system must comply with the guidelines at least 33 seconds long and must not contain continuous silence or still images.

Image by Chris Jones

Chris Jones

CEO – Mixing and Mastering Engineer. Founder of Peak Studios (2006) and one of the first online service providers for professional audio mixing and mastering in Germany.