Nyquist Frequency
The Nyquist frequency corresponds to half the sampling rate of a digital audio system and thus marks the upper limit up to which frequencies can be captured without loss. At a 44,1 kHz sample rate, it is at 22,05 kHz—just above the range of human hearing. If a signal exceeds this limit, distortion occurs. Aliasing-Artifacts.
What is the Nyquist frequency?
The Nyquist frequency is a term from information theory and signal processing. It describes the maximum frequency that an analogue signal can have in order to be correctly converted into a digital signal.
In order to convert an analog signal into a digital signal, it is first measured at regular time intervals (the so-called sampling interval) and the measured values are saved in a special format. The number of times the analog signal is sampled is called the sampling frequency. If the sampling frequency is high enough, the analog signal can be reproduced correctly when later converted back to analog form.
The Nyquist frequency defines the digital audio boundary — how it influences sample rate decisions in mastering is shown in the Mastering Guide.
The Nyquist frequency is half the sampling frequency and indicates the maximum frequency that an analog signal can have before it can still be correctly converted into a digital signal. This relationship is called the Nyquist sampling theorem. It is therefore border is Digitalization described.
Example: Becomes an analog signal with a Sampling frequency of 48 kHz sampled, the Nyquist frequency is 24 kHz. This means that the analog signal must have a maximum frequency of 24 kHz so that it can be correctly converted into a digital signal. Higher frequencies would be lost in the conversion and could not be reproduced. Especially in mastering Therefore, high sample rates are used in order to reproduce the waveform digitally as faithfully as possible to the original after analog processing.
How do you calculate the Nyquist frequency?
It is always half the sampling rate: at 44,1 kHz it results in 22,05 kHz, at 48 kHz it is 24 kHz.
What is aliasing?
Frequencies above the Nyquist frequency are misinterpreted as lower "image frequencies" and produce audible artifacts. Therefore, an anti-aliasing low-pass filter is placed before every A/D converter to remove these components before digitization.
Why are 44,1 kHz and 48 kHz standard?
44,1 kHz (CD standard) fully covers the human hearing range of approximately 20 kHz with a Nyquist frequency of 22,05 kHz. 48 kHz is the common standard for film, video, and broadcast.
Do 96 or 192 kHz offer any audible advantages?
Higher sampling rates are barely audible in the finished audio product. However, they provide more headroom for computationally intensive processing such as pitch-shifting or time-stretching – at the cost of significantly larger files.
What sampling rate is recommended for music production?
For most projects, 44,1 or 48 kHz is ideal. Higher sampling rates are only worthwhile in special cases, such as complex sound processing or sound design.
Analog sound for your tracks too?