Rock Mixing online – Powerful sound for your track

A strong rock mix thrives on clear guitars, powerful drums, and a vocal that cuts through the dense sound. It still sounds transparent even at high volume – without sounding overcompressed. This is where our experience in rock and metal mixing comes in.

Loud is not always loud. Since platforms like Spotify normalize loudness, it is not about maximum LUFS – but a mix that even at high volumes via headphones, stereo, or smartphone. We therefore test on various systems.

The typical “heavy sound” is created by the interplay of a wall of guitars, controlled low-end and dense stereo width. Techniques such as Double Tracking, clever EQing and targeted delay give your mix exactly the energy it needs.

Bass and kick drums often compete for the same frequency range (60–100 Hz). Without a clear separation, the mix quickly becomes muddy. We ensure precise EQing and phase management to ensure that your song has a strong impact – but doesn’t blur.

Even the best mixing can’t be bad Recording Good recordings are the basis for a strong mix. If you are unsure, we are happy to offer you a Mix analysis – or give you tips on recording quality in advance.

Two real guitar recordings (not copied!) ensure stereo width and density – especially for rhythm guitars. We take care to maintain the natural feel and avoid phase issues.

Yes! Whether it's emo, indie, Brit rock, punk, alternative, or nu metal – we know the differences. Each style has its own soundscape, which we specifically implement in our mixing. Just tell us your references or your favorite bands.

Distorted guitars need clarity despite their aggressiveness. We focus on defined midrange, avoid crossover frequencies with vocals, and use targeted EQ and panning to keep your guitar sound fat—but controlled.

Double guitars (e.g., left & right) thrive on stereo spread. We pay attention to balanced tones, clean phase accuracy, and, if necessary, work with different amps or microphone setups – this way, the sound is fat, but not muddy.

The bass needs to play in harmony with the kick—not against it. We ensure defined low-end frequencies (e.g., 60–80 Hz) and work on the attack range (approx. 700–1000 Hz) to combine punch and presence.

A classic in rock mixes. We work with dynamic EQ processing (side EQ, ducking, multiband compression) to create space for the vocals without losing any power from the guitars.

Typical areas:
– Presence: 2–4 kHz
– Body: 200–400 Hz
– Cut/Attack: 1–2 kHz
– We avoid low-end muddiness below 100 Hz (that belongs to the bass).

Sure! Whether it's a single track, a demo, or a complete production – we'll mix exactly what you need. We also create guitar stems or vocal+guitar mixes cleanly and in keeping with the genre.